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Chiraz.October 2022. At 16 years old, an Iranian teenager grimpe over a bucket of vegetables.Dans son regard, le feu de la révolte.Dans sa main, they are scarves.Alors qu'elle s'apprête à le brûler, en plein heart of soul èvement Femme, Vie, Liberté, sa vie file in flash-back face aux flashballs des miliciens: sa naissance indésirée, son père castrateur, son smartphone rempli de tubes frondeurs, son corps assoiffé de liberté, et ce code vestimentaireobligatorily do a bout of tissue on the tete, dont elle elle ser s'franchirhir… After the successes of Badjens in bookstores, the journalist and writer Delphine Minoui launches into the mise en scène adapting her novel to the theatre.In the background of the scene, the Franco-Afghan comedienne Alice Rahimi embodies with force this young Iranian protester, who, without being fragile and rebellious, sings the incandescent chant of Hura Mirshekari, an artist of Iranian origin.On the guitar and on the plates, the composer Renaud Satre, alias N9nE, described the contours of the musical paysage here based on his tour in the paysage visually imagined by the libanais vidéographer Ralph Moussa.This evening spent by Mathias Malzieu is an exceptional return of this multidisciplinary performance created in March 2026 at La Fabrique de Théâtre (Frameries / Belgium).The billing window allows the finance company to participate in the Festival Off d'Avignon (Théâtre 11), from 4 to 23 July.